A few favorites ... presuming you already own Intimate Enemies.
I'm so glad to be her friend, and yes,
that's my courtyard! Get the backstory here!
Holiday Shopping Ideas:
Most precious new children's book - a classic already!
See more here: jeanetteweiland.com
THE EXHIBITION CATALOGUE!
CHASING THE BUTTERFLY MAN:
The Search for a Lost New Orleans Cabinetmaker,
1810-1825 by Cybèle GontarBE SURE TO SEE THIS AMAZING EXHIBIT
NOW AT THE CABILDO!
DRAG QUEEN BRUNCH
I LOVE POPPY!
Tag along with Poppy’s bevy of rollicking drag queens for an
unforgettable time. Stunning photos of glamorous divas vie with world-famous brunch dishes bringing a surprise with every turn of the page.
Author Alexandra Kennon weaves classic offerings of
Creole grande dames with contemporary neighborhood staples
for a guide through the Crescent City's culinary soul.
THE BOOK! I CALL THIS THIS THE BIBLE!
Creole and Acadian Furniture, 1735-1835
by Jack D. Holden, H. Parrott Bacot, and Cybèle T. Gontar
PRESERVATION RESOURCE CENTER'S
Building on the Past:
Saving Historic New Orleans
...and so does Julia Reed! Recipe featured:
Julia Reed's NEW ORLEANS
Food, Fun, and Field Trips for Letting the Good Times Roll
Photo by Paul Costello
PETER PATOUT'S FAMOUS SATSUMACELLO
A few years ago, I gave my dear friend Julia Reed a bottle of my homemade satsumacello and she loved it enough to include it in her wonderful book - as part of her fun field-trips from New Orleans…to my country home in Patoutville.
P.V. is deep in the heart of sugar cane country, and I’m across the street from our family’s sugar mill. In grinding season, it’s quite the spectacle with smoke swirling, trucks unloading and all the energy the seasonal activity generates around the clock until suddenly it ends, usually by January.
Citrus season coincides with grinding season and many mature satsuma trees are near my home. While Julia Reed generously credits me for this recipe. Poppy Tooker is the one who steered me to creating this wonderful treat. Sip slowly!
Makes 6 cups
10 - 12 Satsumas
1 750 ml bottle of Everclear
3 cups of sugar
2 cups of water
That's my courtyard!
Get the backstory here!
Holiday Shopping Ideas:
Wash the satsumas in hot water with a vegetable brush to remove any residue of pesticide or wax. Pat them dry.
Continually zest the satsumas with a zester or vegetable peeler, being careful not to include any white pith from the peel. (The pith, the white part under the rind, is too bitter and will spoil your satsumacello.
Place the zest in a large jar and fill with the Everclear. Let sit at room temperature for at least 10 days and up to forty days in a cool, dark place. Turn the jar upside down 2 or 3 times to help bring out the flavor of the zest. The zest will eventually turn white.
When ready to proceed, combine the sugar and the water in a large saucepan. Bring to a boil and cook for about 5 minutes, until sugar is well dissolved.
Strain the Everclear/zest mixture through a fine mesh sieve lined with cheesecloth or a paper towel into the simple syrup mixture. Stir and allow to cool. When the satsumacello has cooled completely, you may pour it into individual bottles.
Two national publications feature my homes
Julia Reed, and Garden & Gun....details below
Julia Reed celebrates New Orleans & south Louisiana culture in her new book. Front cover shot in my courtyard.
Julia Reed's New Orleans: Food, Fun, and Field Trips
for Letting the Good Times Roll
All photos are courtesy of Paul Costello Photography
It's an instant classic and should be part of any southern cookbook collection. I'm so excited for my dear friend Julia Reed's accomplishment. What fun it was to be part of her effort. So when Julia called asking to shoot a chapter in her upcoming book at my house in the French Quarter, my quick answer: Well of course!
I have to believe that we inspire each other. Years ago, Julia Reed walked into my antique store in the French Quarter. She fell in love with some esoteric prints of bugs. They were ridiculous. After all, who buys pictures of bugs? I did and she did! Then, I realized that she lived nearby and I closed the shop and went over there for a drink, and the laughs and good times have been ceaseless since.
Julia's classic Seafood Gumbo is below along with a Rum Pecan Pie. That's my kitchen stove and though it's something of a relic, countless memorable meals have been created in that galley-sized kitchen. Most days begin with a strong cup of chicory coffee made in the French drip pot sitting there on the stove. Of course, they're sweetened with natural cane sugar from my family's mill in Patoutville and it makes me think of my French heritage.
Julia Reed is a world-class tastemaker and has an extraordinary talent for bringing people together. The other New Orleans celebrations she includes are magical: phenomenal settings with wonderful dishes featuring her recipes along with favorites from prominent chefs and home-cooks...and, it's a great cultural read. Paul Costello's photos are the perfect accompaniment to her narrative.
I particularly appreciate Julia's love for my home in South Louisiana. And as she started thinking about her forays over the years with me in Cajun country (we've shared many great adventures!), she decided to include a chapter at my country house in Patoutville set amongst the sugar cane background.
She penned this sweet note to Patoutville:
There's no bad time to visit Patoutville, but it is especially beautiful in summer and early fall, when the sugarcane is wait-high in the fields. In late fall and winter, the trucks full of cut cane form miles-long lines at the mill and there's twenty-four hours-a-day drama as great clouds of smoke fill the sky.
Ancient Oaks at BAyside Plantation
My cousin's nearby Bayside Plantation, was another destination in this chapter. As a realtor specializing in historic properties, I'm representing the sale of Bayside (click the above Bayside link for more images and listing details.
The culmination of the South Louisiana photo shoot was this fabulous meal celebrated with dear friends. I love that Julia was inspired by Teche country artist George Rodrigue's Aioli Supper Club and chose to recreate that celebration in her book. It's based on old Creole Gourmet Society traditions....another homage to the rich culture of South Louisiana.
Among the most cherished compliments
shared here from Julia:
... she's first referring to George Rodrigue and her vision to recreate the Aioli Dinner from his painting:
I think the artist would have approved of our
gathering under the live oaks. He so respected the traditions of his ancestors, and Peter, with his
antiques-filled houses and love of the land,
honors the past and his own Louisiana history
with more joie de vivre and élan than anyone I know."
Thank you Julia Reed!
As always with you, life is a magnificent celebration.
Tableau Restaurant at 616 St. Peter Street, site of Tricentennial Luncheon with the Baron & Baroness Pontalba
Interestingly, the first Baron, Joseph Xavier Pontalba, owned a home on the property that's now the Tableau Restaurant site - which overlooks the Cabildo, upper Pontalba building and Jackson Square (the Almonester and Pontalba families are directly responsible for all of these important buildings).
Dripping with rich Louisiana French cultural history spanning four centuries, this Tricentennial Pontalba Luncheon opportunity is a wonderful finale to the year.
Of course, I'm also excited about the Founders Ball the next night at The Cabildo!
countryside was incredibly fortuitous! I met the de Pontalba family!
-Read about that wonderful adventure here-
Founders Ball tickets are $300 each for Louisiana Museum Foundation Members and $350 for non-members.
So, join me for Lunch at Tableau and at The Cabildo for the Founders Ball!
My best to you,
December 1 At The CaBildo
Founders Ball & Exhibition Opening:
The Baroness de Pontalba &
the Rise of Jackson Square:
How a Father's philanthropy and a Daughter's determination created the urban heart and architectural look of old New Orleans
This Final Tricentennial exhibit draws on the landmark buildings and rich collections of the Louisiana State Museum, portraits, treasures from the Pontalba Family château in France, loans from other collections, and historic and commissioned photographs to revisualize New Orleans' iconic urban core: Jackson Square, St. Louis Cathedral, the Cabildo, the Presbytère, and the twin Pontalba Buildings.
It’s been a thrill to meet the Pontalba family and to forge their relationship with the Louisiana State Museum...that helped in turn to develop this incredible exhibition as the finale to our Tricentennial year. None of this would have been possible if I hadn't read this book.
Intimate Enemies is one of my all-alltime favorite books about New Orleans: If you haven't already read it, I encourage you to do so. It will deepen your appreciation of the exhibit and what Jackson Square means to all of us.
& Launch of the Baroness Pontalba Exhibit at the Cabildo!
I am thrilled to offer you early ticket access to the Louisiana Museum’s Founders Ball & Exhibition Opening at the Cabildo. This is one for the history books!
Taking a wrong turn in the French countryside six years ago was incredibly fortuitous! I met the Pontalbas!. This wonderful occurrence along with help from friends led to this year's Founders Ball and Baroness de Pontalba exhibition....Here's how it happened and what you can anticipate.
Founders Ball & Exhibition Opening
The Baroness de Pontalba & the Family that Built Jackson Square
How a father’s philanthropy & a daughter’s determination created the urban heart and the architectural look of Old New Orleans
My cousin and I were looking for a Joan of Arc site when we got lost. Then I saw a sign for Senlis, which I remembered from Intimate Enemies: The Two Worlds of the Baroness de Pontalba, Christina Vella’s biography of the Almonester and Pontalba families, as their family seat.
We stopped at the Visitor Center and asked if the Pontalba family still lived in Senlis and discovered that they did! We arranged to tour their gardens and drove through alleys of poplar trees and rolling hills to the château. To our delight we met members of the Pontalba family, who graciously invited us in.
That the direct descendants of the Baroness de Pontalba (1795-1874) would welcome us to Château de Mont-l’Évêque, that we would develop a warm friendship, and that they would embrace their Louisiana heritage was beyond any dream that I could imagine!
Subsequently, I kept dreaming along with my friends, artist Andrew Lamar Hopkins and Louisiana Museum Foundation Director Susan Maclay.
We also realized that Mont l’Évêque is a treasure trove of historical items related to the Pontalbas' time in Louisiana - primarily in the 19th century. So, the idea for the exhibition was born.
Of course, none of this would have happened if I hadn't read Intimate Enemies. We should all be eternally grateful to the late Christina Vella, author of this book that was critically acclaimed by the New York Times.
If you haven't already read Intimate Enemies, I encourage you to do so. It will deepen your appreciation of the exhibit and what Jackson Square means to all of us.
The costume Ball will be reminiscent of the elegant parties Baroness Pontalba held in New Orleans and in her mansion in Paris, which today, still known as the Hôtel de Pontalba, serves as the official residence of the United States Ambassador to France.
Late-18th-century to mid-19th-century attire, recalling the days of Don Almonester and our Baroness, are encouraged for the ball. Contemporary black tie and ball gowns will also be acceptable.
Together, we will welcome Charles-Edouard and Isabelle, Baron and Baroness de Pontalba, their son Pierre, and other family members from France!
Here’s a link to buy your Founders Ball tickets. They are $300 each for Louisiana Museum Foundation Members and $350 for non-members. I suggest you do this today for tickets are limited and this remarkable event will sell out!
The only mission of the Louisiana Museum Foundation is to support the Louisiana State Museum through community donations and programmatic support. I hope that you will join me as a proud member of the LMF to support them for this event and beyond.
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